I'm not sure whether or not I'm just easily pleased: I walk out of my back door, something like 200 metres to the Lord Combermere where, usually on a Thursday night I can hear live music, and share good company.
Courtesy of the Lord Combermere, but not least the enthusiasm and commitment of Reubadub Promotions, they fetch a variety of the best music acts around to these free music events in the village.
Originally Nikki had studied at a London stage school, and trained for many years as a classical singer, before sharing her soul through her own song writing and subsequent acoustic performances. Clearly a talented individual with a growing fan base, she really delivered a powerful vocal performance at the Lord C.
"I'd like to thank Darren Poyzer and Alisdair MacKenzie for playing earlier", George carried on. When someone like Darren Poyzer just turns up to see an act, you know it must be special, for him to feel privileged for playing an opening support slot, it has to be special.
The Lord C looked resplendent following its refurbishment, not least in the stage setting created by Nick Bayes, who also managed the sound, not lacking the 'Caution wet paint' sign on the back wall. The setting was set!
As covers go 'My old mans a dustman', was never performed live the way George Borowski performed it, he soon had the audience joining in. That was the only cover, a reflection of his nature, you would never feel lonely or out of place at one of George's gigs.
He engages you on a song writing journey through pop, rock, country and rock 'n roll, with his social commentary intertwined with haunting ballads and powerfully delivered lyrics. George Borowski even had the audience joining in with these previously unheard songs, such is his craft.
Joined by Paul Hambley on Keys and not withstanding the magic of the sax of Alisdair Grant MacKenzie on occasion, this was a gig you knew you had been to as George Borowski engaged the audience in word and song, with colourful stories and observations of a man whose lived a varied life.
Still playing the rocky rift that accompanied this George regaled the story of Guitar George. During the late 70s George's band, The Out, played as a resident support slot to a number of the great and good bands emerging at that time.
On one of those evenings Mark Knopfler's Dire Straits took to the stage. It was after this performance that Mark Knopfler approached George and complemented him on his guitar. To which George offered him the old guitar as long as he promised to use it and not have it as a trophy on the wall.
George recalled "Knopfler said, that's a great guitar sound you've got. How come you don't play solos?" "The thing is, I can't really play solos, I just play chords." Borowski replied.
Oh, yeah, and then he cracked on with the rest of the song, I'll now remember it as 'The Truth'.
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